Novel excerpt: Ocean’s Swim

I’m close to finishing my debut novel; a work I put on ice over five years ago. But now feels right. Or as my late grandfather would say, “nothing happens before the time.”

I’m going to self-publish it this year. However, I’m strongly considering a Kickstarter campaign to raise the cost of a good editor, cover designer, short print run and perhaps an audiobook. I also hope it will generate some momentum for Kindle sales.

If you read the below excerpt and would like to help bring this story to life, please let me know in the comments. Have you backed a book on Kickstarter? What rewards whetted your appetite?

The story: I’m going to hold back the book description for the Kickstarter campaign. What I’ll say for now is that it’s a story of a man caught between two existences. It’s about the subjectivity of ‘truth’ and the narratives we tell ourselves to deal with it.

This excerpt is a dream sequence. Thanks.

 

Ocean’s Swim.

I find myself on the beach of a lake that is large and surrounded by tall palm trees. Its white powdered sand is soft under my feet. A searching breeze creates ripples in the water’s surface that are echoed above in orderly rows of cloud. Flares of brilliant sunlight, and life affirming blue, bleed through. As the cloud momentarily obscures the sun, the temperature swings between a pleasing heat and a cool yet satisfying chill. Their quick succession makes the contrast intense, leaving little time for my body to adjust.

I hold my arm out, watching for the first goose bumps. Just as they surface, I feel the covering of a soft warm towel. As it falls from above and anchors on my narrow shoulders, I am greeted by the sight of my mother. She smiles at me and is almost immediately distracted by laughter from within a group on the beach. She pats me on my head and walks toward the adults hovering around a barbecue of fish and goat. She grabs a beer, held aloft by a tall man I don’t recognise.

I am wearing navy blue Speedos, with two stripes; white and red. My father emerges from the water. He receives no towel but runs past me and snatches one from a chair. He looks happy, motioning me to sit beside him on the sand. I walk over, using the towel to cover my swimwear. My father smiles beneath squinting eyes.

“The water’s good right?”

“Yes Dad,” I reply sheepishly, remembering to maintain the father-son hierarchy he so passionately protects. We talk and laugh, but the line between love and kinship is never crossed.

“See, this holiday isn’t so bad, is it?” He always addresses me through commands, wise teaching or questions. He never converses through opinion; that is saved for his peers, unless I pose a direct question. Real, self-exposing, vulnerable opinion could breach the line he sets between us, and potentially make him seem more human than fathers need be. I love him and hate him in equal measures. He is the hero father every young orphan dreams of. Physically strong. Emotionally impenetrable. Never seen crying or heard admitting he “doesn’t know.” Dependable; showing his love in the antiquated parenting style he inherited from his Jamaican father.

He brushes sand from my hair. This type of tenderness is reserved only for family holidays and severe illness. His rare touch temporarily sweeps away all memory of his inadequacy. Our moment is interrupted by my mother’s garish laughter coming from behind. My father grimaces, resists the urge to look back and instead turns to the lake and stares intently; his deep frown lines mirroring the lake’s surface. I look over his shoulder and see my mother in full on, head back laughter with one hand resting on the shoulder of the tall man who handed her the beer.

I hear another laugh to my left, which draws me away from my mother’s indiscretions. It’s Ocean. She, like me, shares the misfortune of being born into a messed-up family. Her name is perfect. She’s strong, majestic and constantly evolving. She seems years older than me but is in fact months younger. Her parents are polar opposites.

Her father sees positivity in all situations. As well as his perpetual smile, I know him for his toned calves, which always come out on our group holidays. Enviable anatomy when viewed in isolation, but cartoonish beside the rest of his body, which is of a below average build and tone. He is an encyclopaedia of useless information. Every statement Ocean’s father utters is followed by a farfetched statistic or fact, and the rolling of his wife’s eyes.

She is a complete pessimist, and perhaps more accurately, a manic depressive. Her reason for living seems simply to oppose her husband’s positivity. To create a counter balance to his glass-half-full sensibility. All that said, Ocean is surprisingly centred. She takes logic and makes it a science. She is a complete realist, which combined with her wit and forthrightness, makes her seem rude, arrogant and at best tactless. I think she’s amazing!

She looks at me apologetically as she does when her parents are around. I reciprocate; my father is still scowling beside me rubbing sand from out of his crutch and my mother’s laughs can be heard over the water and music. Ocean winks at me and shifts her eyes toward the lake. I smile at my father, discard my towel and return to the cold water. We race, dive and hold each other under. As the froth dispels, we float on our backs and look to the sky.

“If I have children, I will never force them to go on family holidays. So cruel!” Ocean broke the brief silence as though I were in her head and heard all the thoughts that led up to her statement.

“The only reason I agreed to come was because I heard you’d be here,” I reply. Ocean for a moment says nothing.

“Have you lost your virginity then?” she asks with her eyes locked to the flight path of a gull.

“Umm, well…not sure.” Ocean abandons the gull and sets her gaze on me.

“What do you mean not sure? Either you have, or you haven’t.”

“Well I guess…well… technically, no then.” Ocean finds another gull. The silence kills me. I imagine she is laughing inside. I expect more interrogation, but she just lies there floating, saying nothing. I think she is waiting for me to ask. I don’t. I’m afraid of the answer.

“Why do you think people who clearly shouldn’t be together, get together? They say love is blind, but surely you can apply a little logic in all situations; including love or let’s face it lust, I mean no one really falls in love at first do they? They want sex.” She says, now sitting in the shallow water with her back to the beach. I persistently float for a few seconds, and then, unable to resist her gravity, join her on my knees.

“I don’t know. Perhaps the way people feel in the beginning isn’t the way they feel later on. I guess you can’t predict the future, right?” I reply, feeling for once that I may be the one to have offered some food thought.

“My parents hate each other,” Ocean says looking out at the trees in the distant horizon.

“Your dad seems happy,” I reply, trying to put a positive spin on her family situation and offering her the chance to step away from her uncomfortable truth. She continues anyway.

“My dad is only happy when my mother is. I guess her mood swings have conditioned him to be that way. But you know there’s only so much conditioning you can take. I mean, you can only stretch so far, right? Sooner or later you’re gonna snap. You can only change so much, or else you lose your own identity. You forget who the real you is, or maybe in my dad’s case, was.” I stare at her in awe. She’s so deep. I am once again the student. Natural order has been restored.

“I bet he can’t look himself in the mirror anymore. I want to tell him, he doesn’t have to be such a pussy. I feel like I need to shake him up; tell him to shout or slam a door or something! He doesn’t need to keep up the pretence for me anymore. Shit, I’m almost fifteen for fuck’s sake.” I nod, saying nothing, only thinking to myself that Ocean swears more since we last met. I try hard to focus on her feelings but am distracted by the sexiness of her adult language.

“I think these trips are just a way of making things seem okay. A temporary fix. Papering over the cracks. It’s so unbearable having to spend time with them.” She speaks while watching her hand morph under the water’s surface. She looks vulnerable and is visibly worried. I remain seated saying nothing. I think I’m in love with her.

“My parents will probably be divorced by this time next year.” I say hoping to extract more emotion; I find myself enjoying the intimacy of her pain.

“Yeah, right.” She swims off toward the lake’s centre. Ocean has the natural ability to turn anything into competition. She swims with vigour without looking back. She knows I am following her. We swim hard. The crystal water swirls and foams around us. I look up, mid stroke and catch our chilled spray diffracting spectrums of sunlight. We swim through the centre and continue. Ocean shows no sign of stopping. My aim to out-swim her has now changed to simply keeping up. I try to hide my extreme fatigue. My arm and leg muscles ache. The water is still crystal clear. I look down to check whether I could safely stop and stand. I can see that the depth has altered abruptly in the last few metres. I could quite easily drown now, were I to get cramp. I ignore the thought of death or worse still, Ocean having to pull me back to the shore. Pride is my fuel.

I swim with what feels like hot charcoals between my shoulder blades. The gap between me and Ocean is lengthening with each stroke. I can feel my rhythm escaping me. Water, which was before my friend, is now the enemy. It beats me like an eroding coastline. I curse my decision to follow Ocean. I see her ahead clambering on to the beach that was before a mere slither of white. I take consolation from the sound of her heavy breathing and coughing. This wasn’t easy for her either. I make it onto the beach and collapse beside her. We lay here, heaving in agony and laughing from the adrenalin born from our flirt with mortality.

“You’re quite fit aren’t you?” Ocean says after a few minutes. I say nothing still catching my breath and enjoying the water playing with my toes. It’s my friend again.

After some time, Ocean looks up at me with eyes that seem to have aged. She just looks at me for a moment; her huge eyes framed in long glistening lashes; still wet. She looks at me, and despite myself, I stare back. I know my look betrays me, but I don’t care.

The stillness of the moment carries an electricity that shocks me into lucidity. I know I’m dreaming! I feel an outer body experience. I see the two of us, wet, staring deep into each other. Saying nothing. I see the lake rising to our knees. I watch as neither of us notice. I realise that from my vantage point, my vision goes beyond 20:20. I see everything with no degradation of focus. I survey the sand and can examine the smallest detail of every grain.

The clarity makes me nauseous. I wonder whether my new sight is a sign that this place somehow exists beyond normal fantasy or is a higher understanding of a reality I once inhabited. I consider whether death is actually both reality and fantasy; or the point at which the extremities of these inner opposites converge.

“I’m sorry,” Ocean finally says.

“Don’t worry. You didn’t force me to follow you,” I say from above without thinking, as though speaking words from a memorised script. I see the dream me speak my words a fraction of a moment later, like an unfading echo.

“No. I’m sorry that it had to turn out like this,” she replies. I watch the two us speak, but my ears are now deaf. I want to know what she is saying. I see the dampness of her long eyelashes; give way to that of her silent tears. I see my own.

In an instant, I’m back within myself. I’m now in my parents’ tent at night, pretending to sleep and watching as my mother climbs out. My father sleeps silently. I watch her leave and zip the tent shut. I get out of my sleeping bag, slowly unzip the tent and watch as she and her long, deformed shadow creep silently across the sand, illuminated by a full moon that devours the sky. She stoops beside a red tent. I see Ocean’s father clamber out, almost tripping over his calves. She offers her hand and helps him up. They stop, look at each other and walk into the forest behind them; its thick canopy shielding them from the bright lunar searchlight.

I hear stirring behind me. My father tells me to sleep. He spins around in his now roomier sleeping bag and faces our olive-green tent wall. I think I hear him crying. But I can’t be sure.

—-

Intrigued? Hit the link to read the first 5 chapters of my forthcoming novel. 1mW7NGZZ2ipPDFsy4tjozmO6JAvKdB10GnOz3ulRLSMQ/edit

 

Image: © Sean Rankine 2019.

May In April – A Short Story

I hate the audience’s relentless stares.  For a moment I am blinded into ignorance by the blue and purple haze from the coloured spotlights.  I tilt my head above their beams and glance up.  I see the movement of diffused silhouettes and hear the soundtrack of laughter and glass on wood.  I resume my downward gaze, and look aimlessly at the stage’s black worn carpet and my recently polished shoes.

I can feel the panic rising.  I would normally flirt with it for a few moments and then use it. This evening however, the panic has been afforded more time; time to strike a conversation; a conversation I don’t want to have.  It wants to get acquainted.  And all I want to do is escape.  I can’t of course.   People have paid their good money after all.   I now feel it multiplying somewhere beneath my stomach like bacteria.  The metal between my hands feels heavy.  If all had gone to plan, I would about now, be in the moment, and it would feel weightless; my weightless brass conduit, through which the real me is allowed to briefly come out and display himself; or should that be the ‘unreal’ me?

This has happened before mind you.  I hated it then too.  New York 2006.  The club was hot and haunted by a perpetual cloud of tobacco smoke and the smell of cheap alcohol.  Same awful scenario. I lick my lips.  Take my first deep breath.  About to blow, when a technical glitch, halts the opener.  These things happen of course.  It’s expected, but it’ll usually be way before you’ve actually come on stage and connected with the audience.  In this situation it is too late to run off, as it would seem unprofessional or even unfriendly. The generally agreed protocol is to sit and wait, while the DJ plays some of the greats.  Only now you have seen the whites of their eyes.  Felt the ice blue chill of expectation.  You see a jazz lover is unlike your facile, easily pleased pop fan.  Your avid jazz follower will know not only your back catalogue, but your contemporary’s.  They’ll know your syncopation.  They’ll hear you before you hear yourself.  At least that’s what a part of them wants; the part that will recognise the ‘standards’, and nod with communal appreciation like a group of cult followers in some kind of drug induced trance.  Your job is to grab the other side of their ears and take them somewhere completely unexpected; to surprise them!  Make them lean back in their chair, look to the heavens and thank God they spent their $10.  As much as I would like nothing more than to take all these scary people on my journey of musical exploration, I am instead due to a faulty connection in some lead or audio hardware, sat here like a fool wanting my trumpet to put its lips around me, and swallow me whole!  I digress.

New York 2006.  I found myself staring at the floor and sipping my glass of house water, as though it were 20 year old cognac.  The glass inhabited the space my horn filled each and every night.  It was my shield.  You see contrary to common belief, not all musicians are brimming with confidence.  The fluid dexterity heard within the bright screams and mournful moans of my trumpet’s voice, does not translate into eloquent, shoulders back, chest forward charisma.  I’m neither eloquent nor charismatic.  I’m a reserved, almost reclusive, if it weren’t for rehearsals and gigs, forty three year old session trumpeter, who’s afraid of crowds and change, and only finds his confidence when pressed against his horn.

Today we’ve been here for about three minutes now, and I feel uncomfortable, to the point of nausea.  The fact that everyone else up here looks so comfortable in our musical purgatory, just adds to my sickly feeling.  Pascal, band leader, alto saxophonist and serial womaniser is strolling nonchalantly between Ray, the pianist and the audio guy desperately trying to fix the electrical fault behind the desk.  Mike on double bass is giggling with Art the drummer like a naughty school child.  They may as well be school children.  I am at least 15 years their senior, and just like school kids and teachers, the only time our spheres collide is in class.  What they fail to realise is the stage is school, and I could teach them something if they just listened and stopped trying to impress each other and anyone else that’ll listen. Needless to say, they see me not as an experienced musician, but an old ‘has been’, who is only standing in to replace their regular trumpeter who is off with flu or herpes or something.  There’s no respect for experience anymore.  I digress.

I’m here with an almost finished glass of water, trying to avoid the gazes from a mature woman on the front table with the blue dress.  If she could only be blessed with a prophetic eye that would betray this Jazz musician aesthetic, and reveal that I James Phyllis will not and for that matter could not just after a long and melodic delivery of multiple orgasms, pick up my trumpet and sprinkle improvised notes over her sweat drenched nakedness, like musical confetti.  No I am more likely to favour a good whiskey and some Miles Davis, than a roll in the hay.  In my unnoteworthy experience, fantasy is always better than reality.  I envy hers.  I lost the ability to fantasise years ago.  The day she left.  May Tipperton.

She sat and stared, in a not too dissimilar fashion to the lady in the blue dress.  Only her stares were met with confidence.  I was young you see, not yet bruised by life and loss, plus I thought I was ‘the shit’.  I had bought into this Jazz crap hook line and sinker.  I thought I could have the world.  May however, just wanted me.

From that night on she would come and sit at the front and stare.  I watched through squinted eyes from over the rim of my trumpet’s bell, as the arch in her back responded to my high notes.  She’d twitch with every unexpected change in pitch; every shift in timing.  I felt like a puppeteer.  The power turned me on!  After about two weeks of this surreptitious game play; when even the rest of the band had begun to notice her frequency of attendance and clear arousal I, during a short interlude, went over and asked her if she wanted a drink.  She replied ‘I want to take you home.’ Our connection then shifted from the realms of fantasy, straight into heart pounding, lunges burning reality.

May was beautiful and incredibly sexy, but she didn’t know it.  In fact now, after watching endless hours of day time television, I’m quite sure she was suffering from what professionals and uneducated TV presenters alike term ‘body dismorphia’.  She in fact confessed a few weeks into our relationship that the confidence needed to deliver her ‘I want to take you home’ line, was derived solely from her consumption of two double brandies just before our opening song.  She was not entirely sure how she stayed awake all night; but we did!

I remember telling her that night in April, that she had met me as a musician and that she should respect my art.  I made her promise she would never ask me to choose between her and the music.  She never did.  We both knew who would win.  The music had my heart way before I’d noticed the batting of eyelashes or the rhythm in the swing of a girl’s hips.

My father introduced me to her one Sunday morning.  I couldn’t understand Jazz, but it touched me somewhere deeper than any other music I had then heard.  Miles Davis is one of my earliest sound memories.  I remember sitting on the fluffy sheepskin rug that took its pride of place in the centre of the sitting room, amidst the other sixties home décor essentials.   I must have been around nine or ten.  I had heard ‘Blue in Green’ many times before then, but for some reason that Sunday morning I really listened.  And as though my stillness had been an irrevocable invitation, she leapt inside and held me.  The music evoked visions of fantasy lives filled with beautiful women, New York penthouses and dancing lights over Manhattan river water.  I fell in love right there, at that very moment.  I digress.

Seven months later May and I were married.  Nothing big.  The witnesses included my musician friends, who all thought I was crazy for signing up to monogamy at a such an early age, and in all honesty had just turned up to see if I’d actually go through with it.  The majority of the female party were May’s nursing friends.  They all thought she was insane to even consider marrying a musician, and a jazz musician at that!  May decided they were just doing what good friends do, and were looking out for her.  I agreed not to take it personally, but secretly decided that they were just pissed because they didn’t have me.  I was such a prick!  We decided we’d prove them all wrong.

May wanted to conceive on the honeymoon.  The accompaniment of latex and the stern expression I had inherited from my father was enough to quell that dream.  I didn’t want children.  I was just getting somewhere with my music.  How could I tour knowing she was at home raising our children on her own?  I was sacrificing fatherhood for her, but she didn’t see it like that.  We toured for ten whole years.  When I was home, married life with May was amazing.  We would make love over laughs and tears and intensified embraces.  We discussed the Jazz greats:  Monk, Coltrane, Morgan, Davis.  She loved jazz almost as much as I did.  One of the many things I loved about her.  Everyday she would ask me to play for her; nothing too long.  Just a few lines.  She loved my other voice.  As the years went on, the expressions of James the husband and James Phyllis, Jazz trumpeter grew more contrasted.  I became more miserable with each year of unfulfilled dreams and pointless touring.  By the end May stopped asking to hear my other voice.

I saw her the other day in the supermarket.  My mother used to say ‘happiness can only be bought with coins of compromise’.  It would seem May had spent some of her own.  I saw her before she saw me in the dairy aisle.  Like the bereaved at a séance, I primed my senses to spot any evidence of something I knew deep down didn’t exist.  I wanted to see a kink in her armour, an inflection in her voice, a sideways glance, something that would tell me that she missed me.  I saw nothing.  Only two people clearly in love.  Matthew is a dentist and seems to be a fine man.  They have one child, a daughter, and live in nice part of the city.  I’m happy for her.

Back in the here and now, Pascal signals that the glitch has been fixed.  We can begin.  I lick my lips.  Take a deep breath.  Hold my trumpet high.  Very high!  My shield from the crowd’s stares.  You see to be honest the reason I hate looking into the audience isn’t because I’m afraid.  It’s because they remind of the time a beautiful girl entered my world and stole my heart.  They remind me that she no longer wants to hear my other voice.  They remind me of the cruel awful truth of it all; the fact that the music is all I have, and that it was never really enough.

The Tears

Savage tears teethe on the edge of the darkness that hangs between the ‘here and now’ and my quarantined memories.  Their distant calls remind me that I am human; that I do feel.  They are the entourage of my pain; neither travel without the other.  They are the gatekeepers.

They stand and watch me from behind my eyelids, as if amazed by my unfathomable sadistic need for regurgitation; the need to bring back the bitterness that I had before swallowed deep within the crevices of my sweet forgetting.

‘He’s back!’ I hear one say to the other.  ‘He can’t get enough.’  The other replies.

They can’t wait to cascade.  They long to form their river of outward release.  A monument to my frailty.  They’ve waited patiently, some more patiently than others.

‘It’s been too long!’ One screams at me with audible venom.  I walk slowly and calmly through the corridors of my mind.  The tears seethe and snarl.  ‘Let us fall!’ Another screams as he hammers on his cage of harassed skin.  I continue my slow, deliberate and silent walk.  I decided before temporarily leaving the façade that keeps everyone outside reassured, that I would not be provoked.

I walk on and see scratch marks on walls, marking the places where I fell before.  Where I broke down.  Where I was defeated. The memories gnaw at my resolve.  I feel them tearing into my flesh.  ‘I will not be provoked!’ I tell myself.  I feel the tears growing with strength, as they see me weaken.  I walk on.

One of their allies, ‘self pity’, comes towards me gently as though not walking but actually floating.  She is beautiful.  Her voice is as melodic as a thousand harp strings plucked in perfect unison; and calming like the touch of mother’s hand.  She pleads on behalf of the tears, claiming their imprisonment is unjust, and that they seek only peaceful asylum.  She says in a honey laced voice, that makes the hairs on my neck stand, that they will improve these corridors.  They will make everything seem easier.  The flirtation in her speech excites me.  The thought of letting go and swimming in my anguish becomes so appealing.  I can almost feel them running down my face.  I can feel my eyes readying themselves, like proud parents, watching their children leave for their first days.  I can hear my breath recalibrating itself, with sufficient space to accommodate the falling.  Then I stop myself.  I will not be provoked.  I walk on.

The tears are far behind me now.  I can only just faintly hear them over the sound of huge silent clarity.  I see it; the box of quarantined memories.  I step toward it.  My eyes have returned to their original state.  My lunges and heart have calmed.  I’ve never been this close to it.  I open the box and freeze at the sight of over exposed, finger marked snap shots.  I leaf through them breathing slowly and deeply.  At first the images evoke a sharp cold inhalation that creates a deep pain in my chest.  The pain is so immense; I can hardly look at them.  I squint my eyes and peer through simulated fog.   I slowly allow the fog to clear, until I find that I’m actually studying each form, each line, each highlight and shadow, until their details become medicinal.  Like a bitter herbal concoction to cleanse my mind.  To purge my soul.  I drink until I am full, and then, without fanfare, I let the tears fall.  The tears have now taken on a different guise.  What was once a savage reaction, a chemical display of my pain, now falls down my face as a cathartic outflow.  This journey’s end creates a thousand more beginnings.  The first of which surely must be acceptance; acceptance that for now at least, she has gone.